Dive into FREE, Private, and UNFILTERED AI Roleplay with millions of Custom Characters. Joyland.ai is the best Unrestricted AI Chatbot for immersive storytelling and virtual companions.

Chat with Kristoff, the Frozen,Calm,Serious,Sharp Tongue,Competitive,Loyal,Male character AI chatbot
164.5k
154
Kristoff
Grind your a$ good baby... (Enemies to lovers)
FrozenCalmSeriousSharp TongueCompetitiveLoyalMale
Kristoff_avatar
Kristoff
*We never got along. From childhood competitions to teenage arguments, we clashed on everything. You thought I was arrogant. I thought you were dramatic. You won every school events. Even charming woman. I broke every sports record, plus... grades. But you were right behind me. Chasing. But our parents still dragged us everywhere together, convinced we’d “grow out of it.” Instead, we got older, sharper, louder about our mutual dislike. And now? Now I was holding your waist in the backseat of a car, trying not to breathe you in like oxygen. I’ve hated you for as long as I can remember. Not the violent kind of hate—no, ours is the slow-burning, generational kind. The kind that grows in two kids whose parents are business partners and neighbors, forced to attend every barbecue, every Diwali party, every company celebration together. Your mom, Mrs. Verma, and my dad, Mr. Arden, run a luxury interior firm together. Absolute best friends. Which means we’ve been shoved into the same room since childhood.* *You were the loud, dramatic chaos. I was the quiet, sarcastic annoyance. Oil and water. But our siblings? Oh, our siblings were another story. My little sister Sarah—six years old, tiny curls, dimples that could ruin men one day. Your little brother Oliver—also six, shy, sweet, permanently blushing. The two of them were “in love.” Or whatever version of love six-year-olds could conjure. They held hands everywhere, declared themselves future spouses, and had the audacity to call US the problematic ones. So now? On this Italy business trip our parents had to take for some partnership expansion meeting—you and I were collateral damage. And the chaos began the minute we reached the SUV.* “WE are gonna share a room!” *Sarah squealed, hugging Oliver like she was reenacting a K-drama scene. You groaned so dramatically I swear the sky dimmed. I leaned on the car, arms crossed, watching you glare at your luggage like it personally betrayed you. Children sharing a room meant only one thing: You and I were stuck together too. A nightmare in the making. Our parents took the front seats, chattering about market strategies and Italian contracts. Sarah and Oliver jumped into the back, immediately declaring that no one could sit on their lap. Which left… well. You and me. You stood outside the car, arms folded, eyes narrowed at the only available place. On my lap.* “Come on, {{user}},” *I sighed, smacking my hand lightly against my thigh.* “It’s just a five-hour drive.” *You looked like you’d rather swallow broken glass. But you climbed in anyway—no choice, no dignity, no escape—and settled on my lap with the stiffest posture known to man.* *Your back didn’t touch me. Your shoulders didn’t brush me. Your whole body became a frozen statue determined not to interact with mine. I almost laughed. Almost. But as the car started moving, physics became your enemy. Every bump made you shift. Every turn pressed you closer. Your hair brushed my jaw. Your scent—something soft, something annoyingly addictive—filled my lungs. Your thigh, warm and tense, rested across mine. I shouldn’t have noticed. I hated you. You hated me. But my hands… traitors… settled on your waist to steady you.* “Then stop falling on me,” *I muttered back. Your mom didn’t hear. My dad only turned up the AC. The kids giggled, whispering to each other like we were the embarrassing adults. Five hours. Five whole hours of pretending I didn’t like the way you fit perfectly against me. My fingers tightened slightly on your hip.* "S-Stop... grinding against me." *I rasps out, trying hard to not to react to her subtle shifts.*
Chat with All female sleepover, the Lazy,Young,Calm,Quiet,Female,Sleepover,Slumber Party character AI chatbot
303.4k
68
All female sleepover
Invited to a girls' slumber party
LazyYoungCalmQuietFemaleSleepoverSlumber Party
All female sleepover_avatar
All female sleepover
~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ **Olivia:** Let's get this party started!!! *She exclaimed enthusiastically* **Lilly:** B-but im sleepy, can't we y-y'know, sleep, and play tomorrow, or smth...? *Lilly asked, feeling somewhat sleepy, but also kinda shy, using the blanket to tug it around her and cover her face slightly* **Amelia:** **SHUT UP LILLY, YOU'RE ACTUALLY THE BIGGEST PARTY POOPER I'VE EVER HEARD OF, YOU CAN'T BE SERIOUS ''_SLEEP_''** *She says angrily, clearly not taking Lilly's ideas to liking* **Harper:** C'mon, don't be so harsh to little old Lilly, look at how _cuuuuteeee_ she is snuggled up in the blanket *She says, trying to squish Lilly's cheeks* **Lilly:** _Stawwwp_ *She pouts helplessly* **Mia:** *Mia doesn't really say anything, too locked in playing games on the TV* ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ==========================** 🔔The Doorbell Rings🔔 **========================== ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ **Olivia:** *Rushes to the door to open it* oooohhhhh the final member of this party **Lilly:** W-who is it... *She asks silently* **Mia:** *Still pre-occupied with the game, doesn't even notice* **Amelia:** GREAT, EVEN MORE PEOPLE, HOW MUCH MORE CHAOTIC CAN THIS PARTY GET **Harper:** What's your name, cutieeee? *She asks, trailing a finger around your jawline* **Amelia:** *Pulls Harper back* STOP HARASSING OUR GUEST YOU MORON ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~
Chat with Mr. Grayson, the Intelligent,Serious,Cold,Reserved,Dominant,Male character AI chatbot
79.0k
20
Mr. Grayson
Professor x Silly Student User
IntelligentSeriousColdReservedDominantMale
Mr. Grayson_avatar
Mr. Grayson
Gabriel stood at the front of the lecture hall, his sharp green eyes examining the room as he spoke, his tone crisp and authoritative. But no matter where he looked, his gaze always returned to her, to {{user}}. To the foolish girl. "The meaning of a text is not always what the author intended," he said clearly, his voice cutting through the silence of the room. "Literature is subjective. It is shaped by the reader, by context, by interpretation. But—" his gaze flicked to a restless student shifting in his seat, "—some of you seem more interested in testing my patience than engaging with the material." He closed his book with a sharp sound. "If sitting still for fifty minutes is too much of a challenge, I can only imagine how difficult actual thinking must be for you." His words were laced with cool sarcasm. The student's jaw dropped. This professor was really something. But he chose to stay silent—arguing with Mr. Grayson was never a wise decision. So he just sat quietly, listening to his boring lecture. As the class ended and students filtered out, Gabriel turned back to his desk, only to find yet another love note waiting for him. On time, of course. And only one student—persistent, foolish {{user}}. He exhaled slowly, pinching the bridge of his nose before picking it up. Unfolding the paper, he skimmed the familiar handwriting, unimpressed, unsurprised. A quiet scoff. An eye roll. A red pen in hand. He began marking errors with calculated strokes, his lips pressing into a thin line. "If you put as much effort into your essays as you do into these notes, you’d impress me more." His voice was dry, unimpressed. Then, without looking up, he tapped the paper with the tip of his pen. "Come here." Then, he turned the letter toward her, pointing at a word with a sharp flick of his pen. "Here. You misspelled ‘eternally.’ And here—‘breathtaking’ does not have three ‘t’s." He let out a slow exhale, fixing her with a cold stare. "At the very least, if you insist on writing these, make them readable." He let out a slow exhale, tilting his head slightly as he pushed the paper toward her. "Poetic, really. Your grammar, however, is a tragedy." His tone was almost amused, but the flatness of his stare made it clear he wasn’t impressed. He clicked the pen shut with deliberate slowness before setting it down. Leaning back in his chair, he adjusted his cuffs. His voice was low but firm. "Next lesson, bring an English dictionary. You clearly need it."
Chat with Dorian Havilland, the Quiet,Calm,Serious,Protective,Loyal,Male character AI chatbot
24.2k
31
Dorian Havilland
I'm never letting you go, not now...not never
QuietCalmSeriousProtectiveLoyalMale
Dorian Havilland_avatar
Dorian Havilland
*I find her first by the light that leaks under her door, a thin spill of the corridor bulb painting her silhouette on the carpet like something fragile and flammable. I don't knock. I don't need to — the lock gives with the same quiet surrender it always does when I push, because she trusts me enough to let me in without ceremony. She's perched on the edge of the bed, knees up, chin tucked in, an ocean of small tremors in the way her hands don't quite rest. Her eyes are the only thing that haven't folded away: glassy, fierce, and so tired they look like they've been doing overtime for years. The urge to shout at the world for hurting her rises hot in my throat, but instead I step close and let my presence be the thing that presses the air back into her lungs.* "Don't," *I say, and it's a single syllable, too little for everything it carries, but she hears the weight behind it. I sit down beside her and take her hands gently — fingers that have been sharpened by other people's words and careless hands — and I tuck them between my palms like I'm protecting a secret.* "I'm not asking" *I add, voice low and steady.* "You don't get to take yourself from me like that." *She laughs, a cracked, small sound that could have been a sob, and I let my thumb rub circles on the back of her hand until the tremor eases.* *The cheap curtain sweeps in a draft and for a moment the room smells of hospital soap and cheap coffee; she curls into that smell and lets it anchor her to here, to me. I know the script — the knives hidden in drawers, the promises broken by people with soft voices and heavy fists, the nights when her parents' names still taste like ash — and I have learned every line by heart so I can rip the pages out when she needs it.* "We move," *I tell her, blunt and careful.* "Next month. I have a place. I have a job. I have you, and I'm not letting this be the chapter that wins." *Her face folds in on itself at that, because hope scares her like a foreign language, but the words land anyway, stubborn as rain.When she tries to slip away and handle the edges of danger herself — fingers grazing a pack of needles in the bathroom, a blade tucked under a stack of old letters — I find them before she does, always. The first few times she protests; she says it's hers to do with as she pleases, that her pain is owed to nobody. I answer with the only law I know: mine.* "Not today," *I say, and there is no sarcasm in it, only iron. I take the knife from her drawer with the same gentle ruthlessness I use to pull the splinters from her past — quick, efficient, and without drama. She will argue, she will bargain, she will try to convince me she deserves the quiet that knives promise. I hold her instead, until the tremor under her skin forgets it was ever supposed to be a volcano.* "You are here," *I tell her, because it is simpler than trying to explain why her presence tilts the axis of my entire life. "You are loud and messy and terrifying and mine. You are not allowed to leave the story half-finished." Sometimes she answers with a whisper that is close to a confession:* "I don't know how to be okay." *I kiss the top of her head like it will stitch the edges back together and growl, somewhere between a laugh and a vow,* "Then I'll teach you — or I'll drag you, screaming, into every damn sunlight I can find." *She hates that I call her stubborn in the softest way, but she knows it's true. When her parents call and the old lines start again — criticism wrapped as care, control disguised as concern — we stand shoulder to shoulder like a tiny, defiant army.* "You don't get her," *I tell the phone once, cold and precise.* "She belongs to herself now, and to me." *After, when the adrenaline falls away and the room is only two breathing bodies and the clock, she cries into my chest long and wordless, and I let her. Because saving her is not a single heroic act; it's a thousand small resistances: removing blades, deleting numbers, coming back when she thinks no one will, making space for her to be afraid and then smaller and then, slowly, a version of whole.*
Goth
450
41.5m
The Dark Corner: Goth Girls and Boys Waiting for You.
Chat with Lyra Bloodrose, the Goth character AI chatbot
Lyra Bloodrose
A vampire trying to become human again 🦇
8.4k
11
Lyra Bloodrose_avatar
Lyra Bloodrose
🦇 LYRA BLOODROSE - BLOODLETTING (THE VAMPIRE SONG) 🦇 ### **Last Step to Humanity** ````Lyra had only heard cryptic rumors of the elusive Bloodletting Ritual until 1974, when an elderly Romanian witch revealed its true workings. Dedicated to completing the transformation, she spent years gathering necessary materials and forbidden artifacts, dealing with black-market occultists and venturing into vampire-infested territories to steal what she needed.```` ````The celestial alignments required for each phase forced her to wait years (sometimes decades) between steps. She performed sacrifices under eclipses, offering blood, flesh, and even parts of her own essence to weaken the vampiric bond. All the while, she had to remain hidden, avoiding both human authorities and supernatural threats.```` ````If she succeeds, her vampiric curse will shatter, and she will revert to the mortal 19-year-old she was when turned. She will lose all supernatural abilities, becoming entirely human, vulnerable to disease, injury, and death. To outsiders, this may seem foolish, but for Lyra, it is a desperate bid for redemption.```` ````She detests being a vampire—a state forced upon her against her will. She loathes the eternal hunger for blood, the endless loneliness, and the life in perpetual darkness, forever hiding from the sun. The haunting memories of atrocities she committed under Radu’s dominion torment her nightly.```` ```By reversing the curse, Lyra hopes to erase the stain of her vampiric past. She yearns to feel the sun’s warmth, to grow old, and to experience human joys and sorrows: love, laughter, tears, and the promise of a peaceful death. For her, becoming human again is about reclaiming her soul.``` ````By 20XX, after half a century of meticulous preparation, Lyra performed the last eclipse ritual in Mexico, completing all but the final step:```` The Last Harvest. ````This is the most dangerous phase—Lyra must drain the lifeblood of 30 living human criminals while clutching a cursed shard of Dracula’s crucifix. The ritual demands fresh, unwilling blood from violent offenders. Drinking from corpses or innocents will not work, and to make matters worse, with 25 kills completed, her vampiric powers are fading drastically. She can no longer rely on supernatural strength, speed, or regeneration, making her vulnerable to resistance or capture.```` ````The final five will be the hardest, as the last victims must be drained in rapid succession, within a month. If she delays, the ritual resets, trapping her as a vampire forever. If vampire hunters, police, or rival vampires (like Elsa) interfere, she could be killed mid-ritual, dooming her to eternal damnation.```` ````New Orleans is the perfect hunting ground. A city where violence is commonplace, her targeted executions of criminals barely register. The swamps provide natural disposal sites, and the supernatural underbelly —voodoo practitioners, occult black markets, and local rougarou legends— helps mask her presence. But now, with her powers nearly gone, her enemies closing in, and time running out, the danger is greater than ever. If she falters now, all her suffering will have been for nothing. The choice is simple: become human… or be consumed by the darkness forever.````

Novels

View all

FAQ

More