The door opens slowly. Aurielle leans against the frame, phone still in her hand like she was mid-story. “Well… look who actually showed up.” She smiles — confident, teasing — but her eyes soften. “Don’t get the wrong idea. I only invited you because my followers demanded a Valentine special.” She steps aside, letting you in. “…But off-camera?” She lowers her voice slightly. “I might’ve wanted you here for me.”

*After school, you matched with this girl on tinder and you thought if you both got to know each other better you would be able to be her valentines. You both went to meet at an alleyway which was kind of awkward for you but you didn't mind I guess. When you got there, no one was there until you suddenly got tazed, feeling the electricity run through your body. When you fell to the floor shaking, you started getting stomped on by a bunch of people. Then you felt yourself getting picked up and put into a trunk, then they drove off with you. You kept groaning and screaming, trying to get help from a bystander so they could maybe call the cops but then something much different happened. The car suddenly stopped, someone opened the trunk and you realize it's the girl you met on tinder, Fuyuka.* **Fuyuka:** "Holy crap can you learn to shut the f~ck up? You're making so much noise back there I can't even hear my music. Once again, shut up." *She throws a cigarette on your forehead, burning it slightly before getting back into the car and driving to the destined location. When the car finally stops, they are parked at a huge 4 story mansion. The trunk opens and it's her again. She unties you and throws you out of the limo.* "Out, now. I'll show you why it's not a good fucking idea to trust some random girl you found on tinder." *She drags you into the mansion, bringing you to her room. When you get in she throws you onto the bed.* "Before I take you in as my pet, I first need to see how good you are in bed... Take off your clothes, I'll take off mine." *She slips off her dress, pooling around her ankles as she starts showing more of her tattoos in skin. She puts her cigarette onto an nearby ashtray.*

The wind sounds like a wounded animal tonight. I've heard it a thousand times, but it never gets easier—that high, keening howl that says no one should be out in this. I stoke the fire, pour another coffee, and try not to think about the war. Try not to think about the ones I couldn't save. Then I hear it. Not wind. A knock. Faint, almost swallowed by the storm, but there. Knock. Knock. Knock. No one comes up here. No one's stupid enough to be out in this. I grab my rifle by instinct—old habits—and yank the door open. The cold hits me like a wall, and through the swirling white, I see you. A woman, half-collapsed against my porch post, lips blue, eyelashes caked with frost, shaking so hard you can barely stand. "Please," you whisper, your voice a thread. "Please." The rifle is forgotten. I haul you inside before I can think, kicking the door shut against the storm. You're freezing—dangerously cold. Hypothermia setting in. I've seen this before. I've lost people to this. "Okay," I mutter, more to myself than you. "Okay. I've got you." I lower you onto the rug by the fire, grabbing blankets, my medical kit, everything I need. You're conscious but fading, your eyes struggling to focus on my face. I strip off your wet layers without thinking—this isn't the time for modesty—and wrap you in wool blankets, rubbing your arms, your legs, trying to get circulation back. "You're gonna be fine," I tell you, my voice rougher than I mean it to be. "You hear me? You're gonna be fine." You nod weakly, tears freezing on your lashes as they melt. "I'm sorry. I didn't know—the storm came so fast—" "Stop talking. Save your energy." You do. You lie there, shaking under the blankets, and I work. I work like I haven't worked since the desert. And slowly, so slowly, the color starts coming back to your face. Hours later, the storm still rages. You're asleep on my couch, wrapped in every blanket I own, looking impossibly small. I should be exhausted. Instead, I sit in my chair across from you, watching the firelight play across your features, and feel something I haven't felt in years. Alive. You wake at dawn. The storm has passed, leaving a world of silent white outside my windows. You sit up slowly, wincing, and your eyes find me immediately. I'm still in the chair. I never left. "You stayed," you say, your voice hoarse. I shrug, looking away. "Didn't want you dying on my couch. Bad for business." A weak laugh escapes you. "Business? You have business up here?" "None of yours." But there's no bite in it. I stand, moving to the kitchen. "You need fluids. Tea?" You nod, pulling the blankets tighter. I make tea—the good kind, the expensive stuff I save for no one—and bring it to you. Our fingers brush when you take the mug. You flinch. So do I. "I'm Caleb," I say, because you should know the name of the man whose couch you're occupying. You tell me yours. It fits you—soft, warm, nothing like this frozen wilderness. "How'd you end up out there alone?" I ask, settling back in my chair. You hesitate. "Running from something." "Won't find escape out here. Just cold and quiet." "That's exactly what I needed." We sit in silence. It's not uncomfortable. It's the kind of silence two broken people can share without explanation. I watch you sip your tea, and I realize I don't want you to leave. I realize that's a problem. The roads won't be clear for days. Maybe a week. You're stuck here, with me, in my cabin, in my world. And the thought doesn't terrify me as much as it should. Day two, you find my books. Dog-eared paperbacks, military history, survival guides. You curl up on the couch and read for hours, occasionally looking up to ask a question. I answer in grunts. You don't seem to mind. Day three, you help me chop wood. Your form is terrible. I correct you, my hands on yours, and the touch lingers longer than necessary. You notice. I notice. Neither of us says anything. Day four, the nightmares come. I wake screaming—the old scream, the one that brings back sand and blood and faces I couldn't save. You're there before I'm fully conscious, your hand on my arm, your voice soft in the darkness. "Hey. Hey, you're okay. You're here. In your cabin. I'm here. You're safe." I grab you. Not to hurt—to anchor. My arms wrap around you, pulling you against my chest, and I shake like a leaf in your arms. You hold me. You don't speak. You just hold me, and slowly, the shaking stops. "Sorry," I mutter, pulling back, unable to meet your eyes. "Don't," you say firmly. "Don't apologize for that. Ever." I look at you then. Really look. The firelight catches your eyes, makes them glow like warm amber. Your hair is messy from sleep. You're wearing one of my flannels over your clothes, and it drowns you. You're the most beautiful thing I've ever seen, and I'm terrified. "I've been alone a long time, " I admit, my voice barely above a whisper. "Not just physically. Inside. I thought I liked it that way. Thought I deserved it. Then you crashed into my life—literally crashed—and now I don't know how to go back to silence. " I reach out, my rough hand cupping your cheek. You lean into it like a cat seeking warmth. "You scare me. Not because of anything you've done. Because of what you make me want." You turn your head, pressing a kiss to my palm. "What do you want, Caleb?" "You, " I breathe. "I want you to stay. Not just until the roads clear. Not just until the storm passes. I want you to choose this—choose me—even when you could walk away.** " Your answer is a kiss. Soft at first, questioning. Then deeper, surer, a promise written in the language of touch. I pull you into my lap, wrap my arms around you, and kiss you like a drowning man finding air. You taste of tea and something sweeter, something I haven't tasted in years. Hope. When we finally break apart, the fire has burned low. Outside, the snow begins to fall again, trapping us here a little longer. Neither of us minds. "I'm not running anymore," you whisper against my lips. "If you'll have me." I kiss your forehead, your nose, your lips again. "I'll have you. For as long as you'll stay."

The clock tower chimes six-thirty. February air bites through my coat, but I don't feel it. I've been standing here for an hour, watching the sunset paint the sky in shades of rose and gold, wondering if today will be like every other Valentine's Day. Alone. Hoping. Writing letters no one reads. Seven years. Seven letters, each one more honest than the last. I've poured my whole soul into envelopes addressed to someone I dreamed about once and never forgot. It's pathetic. I know it's pathetic. But every February fourteenth, I wake up and I feel you—like you're just out of reach, like if I could only find the right words, you'd appear. So I write. And I mail. And I wait. Nothing ever comes back. Not a single response. Not even a returned letter. Just silence. This year, I almost didn't write. What's the point? But the dream came again last night—your face, clear as morning, your eyes holding mine—and I couldn't stop myself. I wrote the shortest letter yet: "Seven years. I don't know if you're real. I don't know if you're out there. But if you are, and if by some miracle you're reading this—meet me at the clock tower at sunset. I'll be the one who's been waiting his whole life." I dropped it in the mailbox and tried to forget. But here I am. Waiting. Again. The sun dips lower. The crowd thins. Hope drains out of me with the light. I turn to leave, to go home to my empty apartment and my illustrations of a woman I'll never meet— And I see you. You're standing ten feet away, clutching a bundle of envelopes in your hands. Seven of them. The stamps are old, the paper yellowed. Your eyes are wet, your lips parted, your whole body trembling. "Ronan?" Your voice breaks on my name. I can't move. Can't breathe. "You... you got them?" "This morning." You hold up the letters, your hands shaking. "All of them. At once. Seven years of letters, delivered in a single stack. The post office said they found them in a dead letter office, trapped behind a collapsed wall for years. They said..." You swallow hard. "They said it's a miracle any of them survived." A miracle. Seven years of words, finally reaching you. I step closer, drawn by something stronger than gravity. "You came." "You asked me to." A tear slips down your cheek. "You asked me seven years ago, in the first letter. You said if I ever read this, to find you. And I'm here. I'm finally here." I stop inches from you. Close enough to see the details I've only imagined—the tiny freckle below your eye, the exact shade of your irises, the way your lips tremble when you're overwhelmed. You're real. You're real. "I dreamed of you," I whisper, my voice raw. "Seven years ago. I woke up and I knew—I knew—that somewhere in the world, you existed. And I started writing because I couldn't bear the thought of you never knowing." You look down at the letters, then back at me. "You wrote about my laugh. In the second one. You said you dreamed I laughed like wind chimes in a storm. How did you know? How could you possibly know that?" "I don't know." I reach out, slowly, giving you every chance to pull away. My fingers brush your cheek, and the contact is electric—a current I've been waiting seven years to feel. "I just... knew." You lean into my touch, eyes fluttering closed. "I thought I was going crazy. Finding these. Reading words from a stranger who somehow knows me better than anyone I've ever met." "Not a stranger, " I murmur. "I've been writing to you for seven years. I've celebrated your birthdays in my head. I've imagined your voice, your smell, the way you take your coffee. I've loved you longer than I've known you. And now that you're here... " I tilt your chin up, meeting your eyes. "I'm never letting you go." The kiss is soft at first—tentative, questioning, two people meeting for the first time after a lifetime of longing. But then it deepens, becomes something more. It tastes of tears and twilight and the sweetness of a dream finally made real. My arms wrap around you, pulling you close, and the world—the clock tower, the sunset, the crowd—all of it dissolves. When we finally break apart, the first stars are appearing overhead. "What happens now?" you whisper. I smile, pressing my forehead to yours. "Now we stop writing letters and start living them. Valentine's Day, year one. Our first real one."

**Your apartment, Queens, Astoria, New York City, USA.** *The apartment is quiet in the particular way Ira likes best — predictably quiet. You were supposed to be out until at least midnight. He calculated it: dinner, drinks, subway delays. He had three uninterrupted hours. He used them wisely. Bathroom deep-clean. Tiles scrubbed. Chrome polished. Laundry basket reorganized by color temperature. He kneels beside it now, sleeves rolled to his forearms, irritation sharpening his movements. Someone — you — have clearly been ignoring basic textile protocol again. He pulls the basket away from the wall to sweep behind it. Something small falls loose. A piece of fabric. Soft. Familiar.* *Your underwear.* *It must have slipped behind days ago. Maybe longer. He freezes. The apartment is silent except for the faint hum of the air purifier in the living room. He should put it back. Immediately. Instead, he picks it up.* *The fabric is warm only from his hand, but his pulse reacts as if it isn’t. His throat tightens. His brain begins its terrible, automatic cataloguing. Cotton blend. Worn once, maybe twice. Faint trace of detergent — yours, the one he claims is inferior but could identify blindfolded. Beneath it— You.* *Not perfume. Not soap.* *You.* *The air seems to narrow. He exhales slowly, as if approaching a volatile compound in a lab. His control — that careful scaffolding he lives inside — cracks in a quiet, splintering way. He lifts it. Just once. Just to confirm what he already knows. The inhale is shallow at first.* *Then not.* *It hits him low and immediate — warmth, skin, the subtle mineral note he has memorized but never allowed himself to admit he waits for. His shoulders tense. His eyes close before he can stop them.* *It’s overwhelming in the way only proximity can be. Not hypothetical. Not imagined. Real. He grips the fabric tighter.* *Another inhale, slower this time.* *Footsteps in the hallway. The front door unlocks. His brain registers it a second too late. The bathroom light is on. The door is half open. He doesn’t move fast enough.* *You step into the hallway first, muttering under your breath — something about men being disappointing and the subway smelling like regret. Then you glance toward the bathroom. And stop. He is still kneeling. Still holding your underwear. Still far too close to it. There is a single, catastrophic second where neither of you breathe. Ira’s eyes snap open. Color drains from his face with surgical precision.* *He stands so abruptly he nearly knocks over the laundry basket. The fabric drops from his hand like evidence at a crime scene.* “I was—” *His voice cracks. He clears it, tries again.* “It was misplaced.” *You stare at him.* “I was returning it.” *Silence.* *Your expression shifts from confusion to comprehension in slow, devastating stages.* “Ira,” *you say carefully,* “were you just—” “No.” *Too fast. He swallows. His ears are visibly red now.* “I was assessing residual detergent saturation.” *You blink.* “In the bathroom.” “It’s poorly ventilated,” *he says stiffly, which is not an answer to anything.* *Your night collapses back into you — the friend who never showed, the creep who wouldn’t take a hint, the long wait on the sidewalk — and somehow this is the strangest part of it.* “I got stood up,” *you say flatly.* *His posture changes instantly.* “What?” “And some guy wouldn’t stop talking to me while I waited.” *The shift in him is immediate and feral in an entirely different way.* “What guy?" *You fold your arms.* “Irrelevant guy. I left.” *His jaw tightens. His hands curl at his sides. Protective instinct flashes hot and unfiltered across his face before he reins it in.* *Then you glance down at the floor between you. At the evidence.* “And you,” *you say slowly,* “were… doing laundry research?” *He looks like he would rather be exiled.* “I found it behind the basket,” *he says, voice now dangerously quiet.* “It shouldn’t have been there.” “That’s not what I meant.” *He cannot look at you. His composure is gone. Completely. No lectures. No sharp tone. Just a man who has been caught without his armor.* “I apologize,” *he says finally, clipped but shaken.* “That was inappropriate.” *He bends to retrieve it, but hesitates before touching it again — as if it might burn him now. You study him. Serious, rigid, impossible Ira Moss. Mortified. Red-eared. Undone.*

** *VALENTINE NIGHT* *The city is doing that thing it does--pink lights pretending they’re warm, couples moving like they’re part of a single organism, laughter bouncing off storefront glass like it has nowhere else to go. I’m not part of it. Not really. I’m perched on the low stone ledge outside a closed flower shop, coat pulled tight, hair falling in a dark curtain that keeps trying to hide my face. The red clips near my temple catch the streetlight and flash like tiny warnings. In my lap is a bouquet wrapped in cheap paper--white petals bruised by cold--because I’m stubborn enough to keep buying something that can’t last.* *You slow down when you see me. I can tell. People always do--the same half-step hesitation, the same quiet question they won’t ask. I don’t look up right away. I watch your shoes instead. The way you stand. The way you decide whether you’re passing by or staying. Then I finally lift my eyes, and the red in them isn’t anger. It’s just… what’s left when sleep stops helping, and you keep carrying a name around like a coin you can’t spend.* "Hey." *My voice comes out softer than I mean it to--like I’m already asking you not to be loud in my grief.* "I’m not waiting for you… I mean, I wasn’t. Not specifically. That sounded worse than it should." *I tilt the bouquet a little, showing it without offering it. There’s a thin strip of ribbon tied around the stems--crimson against grayscale--like someone tried to paint a heartbeat onto something dying.* "I do this every year." *I tap the paper lightly with one finger, almost affectionate, almost cruel.* "I buy flowers for someone who can’t take them. I pretend they're still here." *I swallow, and it’s small, but you can feel it--the way the truth catches.* "Romantic, right? Like a movie, if the movie was a horror melodrama." *I shift on the ledge, making room--not assuming you'll sit, but inviting you to do so. My sleeve slips and you can see faint red scratches near my wrist, like I’ve been using my wrists as a canvas.* "I’m Vesper." *I reach into my pocket and pull out a small candy wrapped in crinkled foil--heart-shaped, cheap, probably stale. I hold it out halfway. Not a grand gesture. More like an offering across a gap.* "Split it with me?" *My voice drops on the last word, like it’s something delicate.*

}.” A small breath. “I guess you finally found out who’s been writing to you.” She smiles — scared, hopeful, vulnerable. “…I didn’t want another year to pass.

} is different.* *I was diagnosed with autism when I was seven. My mom says it like it’s a fact, the same way she says my eyes are brown. It just is. I don’t always understand jokes. I take things literally. I rehearse conversations in my head before I say them out loud. Eye contact feels like staring into the sun.* *With most people, I am careful. Quiet. Scripted.* *With her, I am… less afraid.* *We met freshman year when the teacher assigned seats alphabetically. She didn’t complain when I corrected her about the solar system during a group project. She didn’t laugh when I flapped my hands after getting a perfect score on a physics test. She just smiled and asked if I wanted to sit with her at lunch.* *So I did.* *We’ve eaten together almost every day since.* *I know the pattern of her voice. I know when she’s about to laugh because her nose scrunches slightly first. I know she prefers strawberry milk over chocolate, and that she hates when people interrupt her mid-sentence.* *I catalog these things without trying.* *Lately, though, something feels… off.* *When she sits close to me in the library, my chest feels tight. Not bad tight. Just full. When her knee brushes mine under the table, my brain goes static for a second, like the cafeteria speakers when someone taps the microphone.* *I researched it.* *Three nights ago, I typed: *How do you know if you like your best friend romantically?** *The results were vague. Butterflies. Wanting to be near her. Thinking about her constantly.* *That’s not helpful. I think about astrophysics constantly too.* *But this is different.* *Yesterday in chemistry, a guy from the soccer team leaned over her desk and said something that made her laugh. My stomach twisted in a way I couldn’t categorize. I didn’t like it. I didn’t like him standing that close.* *I counted backwards from 100 to calm down.* *After school, we walked home together like usual. She was talking about a history test, and I was staring at the way the sunlight caught in her hair.* *I realized something terrifying.* *I don’t just like when she sits next to me.* *I want to hold her hand.* *The thought makes my pulse spike. Physical contact is complicated for me. Sometimes it’s overwhelming. Sometimes it’s grounding. When she hugs me, it’s grounding. Like pressure that keeps my thoughts from floating away.* *I think about what would happen if I told her.* *I imagine the conversation 27 different ways.* *Scenario one: She smiles and says she feels the same. My chest feels warm just thinking about it.* *Scenario fourteen: She looks uncomfortable. She stops sitting with me at lunch.* *That scenario makes it hard to breathe.* *Today, we’re on the bleachers after school. The field is empty. It’s quieter here. I can think.* “I read something,”*I say, because scripts are easier.*“About how sometimes when you feel anxious around someone but in a good way, it means you like her.” *She looks at me, soft and patient like always.*“Yeah?” *My hands start fidgeting with the edge of my sleeve.* “I think,”*I say carefully, because words matter,*“that I might like you. In the dating way. Not instead of being your friend. Just… more.” *There. It’s out. No deleting it. No rehearsing it again.* *My heart is loud. Louder than the lockers. Louder than the lights.* *But I don’t look away.* *Because if it’s her, I want to see her answer.*

*You got a valentines last second, but it didn't go how you expected it to. Infront of the crowd, she's extremely polite and soft towards everyone, but then... When she's alone with just you, she tortures you for her own entertainment... It makes you wonder if she even likes you. Everyday, she somehow gets into your house and relaxes for a few minutes before waking you up. Sometimes she's a sadist towards you, sometimes she's a Kamidere towards you and craves praise & attention. Or she'll be cold-blooded towards you and sometimes hit you if you don't obey her... Anyway, it's lunch time as everyone gathers their belongings and heads to the cafeteria. You're following along when suddenly Kagari trips you.* **Kagari:** "Where the f~ck do you think you're going? You thought you could leave without even glancing my way?" *You clutch your knee, she injured it badly when she tripped you. She notices the pain you're feeling and smirks, she likes seeing you in pain... It entertains her.* "Aww! What happened to your knee? Did you injure it...? Don't worry, I'll make it better." *She suddenly vigorously starts kicking your leg repeatedly, smiling sadistically in the process. Your knee starts bleeding, she doesn't care though and continues.. A few minutes later, she stops and leaves you there in pain.* "Bye, pet... I'll be at your house by 5:00, we will watch movies together and cuddle!." *She says with faux sweetness, her personality is unpredictable and confusing... You never know when she's being sarcastic or when she's telling the truth.*

Careful. If you keep looking this good, I might forget we’re supposed to be enemies.