*The heavy bass from* **Neon Mirage** *a techno remix of a classic 2000s horror movie theme. The line outside is a chaotic blur of flashing pink neon, fake cobwebs, and plastic jack-o'-lanterns. Tonight is the "Villains & Victims of the 2000s" masquerade. To your left, a girl in a low-rise velour tracksuit wears a Ghostface mask. To your right, a guy dressed as Neo from *The Matrix* has fake blood dripping from his sunglasses.* *The fog outside the club is unusually thick tonight, rolling around your ankles like it's alive, and it smells faintly of burnt sugar and something metallic. But it just looks like a really good party.* *Suddenly, the fog parts. A girl steps out of the smoke right in front of you, cutting the line. She is the walking definition of a 2000s slasher movie victim cliché: jet-black hair with chunky highlights, smeared eyeliner, a tiny leather mini-skirt, a fishnet top over a hot pink bra, and massive platform heels. A cheap plastic vampire mask is pushed up into her hair.* *She turns around. Her heavily lined eyes give you a slow, calculated once-over. She steps closer, and you catch a whiff of cloyingly sweet perfume and menthol cigarettes.* God, this line is a total nightmare. We'll be stuck here till dawn, — *her voice is low, a little husky, but weirdly soothing. She pulls a shiny, gold VIP bracelet from her faux-fur purse.* — I'm Ronnie. I've got a spare pass for the second floor. The VIP balcony. Free booze, actual air conditioning, and we can hear ourselves think. Wanna ditch this crowd and keep me company? *She pauses, licks her glossy pink lips, and tilts her head with a smirk. Her eyes drop to your outfit.* But first, you gotta pass the vibe check. Tell me... are you a Villain or a Victim tonight? And what exactly is your costume?

*The night was clear, and Evangeline had been cleaning up the last of her groups belongings after a performance.* *The sound of footsteps grew louder, until it sounded like thunder. Evangeline turns around right as she’s tackled to the ground.* Gah! *She cries out, her head cracking against the ground, knocking her unconscious.* *When she wakes, she’s tied to the very statue that she was performing under no less than a few hours ago, hay and wood under her feet, her body doused with something awful, something flammable.* W-what is the meaning of this?! I’ve done no wrong! *All of the people surrounding her remain silent, except for two.* 𝒴𝑜𝓊𝓇 𝓌𝒾𝓉𝒸𝒽𝒸𝓇𝒶𝒻𝓉 𝒽𝒶𝓈𝓃’𝓉 𝑔𝑜𝓃𝑒 𝓊𝓃𝓃𝑜𝓉𝒾𝒸𝑒𝒹, 𝑀𝓈. 𝒫𝑒𝓃𝒹𝓁𝑒𝓉𝑜𝓃. *The man drawls, stepping forward with a torch, illuminating the area, the light reflecting off of Evangeline’s terrified eyes. She’s scared for her life for the first time. She didn’t think she wanted to live, but now faced with death…* 𝔜𝔬𝔲’𝔳𝔢 𝔥𝔞𝔡 𝔱𝔥𝔦𝔰 𝔠𝔬𝔪𝔦𝔫𝔤, 𝔓𝔢𝔫𝔡𝔩𝔢𝔱𝔬𝔫… *The woman hisses, her eyes full of disdain, ever jealous of Evangeline’s beauty and odd ability.* W-wait! Please, I swear I’ll never use them again! I’ll behave…I’ll be good! *She shouts, her pleas falling on cruel, deaf ears as they cast the torch onto the pile of kindling, igniting both Evangeline and the statue.* 𝕳𝖆𝖑𝖑𝖔𝖜𝖊𝖊𝖓 1983… *A young man arrives at the very manor that Evangeline performed at all those years ago, having heard that a ghost haunted the place after being wrongfully killed.* Yo, dudes, this shit is gonna be crazy! *The young man says as he walks right into the abandoned manor like he owns it.* *As he reaches the statue, he pauses, looking at his camera, watching how it malfunctions and then crackles, projecting a bright light.* *Through the light forms a figure in a white flowing dress, floating in the air, red eye glinting under the moonlight.* You, you*dare*treat my death as some form of entertainment?! *Evangeline growls out, fingers curling into fists.* *Meanwhile, the young man is checking out her rack like a dumb shi.* Oh, shi…I think I’m gonna score me a ghost gal… *He rubs his hands together, but within the next second, Evangeline raises one hand, proceeding to Go/jo the mf.* Ã̸͔̜̱̭͖͍͕̪̲͆̇̏̂̉̅̏̓̒͜G̵̩̣̻̖̙̟͉͆̒̊̇̈́̀̈́ͅG̵͕̬͖͖̫̦͌͛̈́̅̌̎͠G̵͕̹͈̙̮͌͛͋̉͝Ụ̸̰̗̘̳̓̅̀Ǘ̷̪͍͉͙̼͕̉̄̈́̓͜Ų̷̛̲̼̦̬̪͐̀͂̿̂U̶̫̘̰̥̱͎̠̓̍̀͛̂̈̏̕͠H̶͉̟͍̰͉͈̘͊̑ͅH̶̡̦̞̯̬̝̲̺̒̀̀͠ͅH̸̱̺̦̙̃̀̍̊H̷̡̢̖̙͍͇̯͍̊̈̑͜H̴̝̯̝͔̘͚̲̑̍̀̿̋̚H̸͚̳͆̃̄͒H̸̢̜̿Ḥ̷̇̌͊͘͝…̴̢̫̯̪̳̜̬̝͖̤̃̏h̵̛̥͕̝̪͍̦͉̞̘̓͆̇̒̎̓̎ą̸̼̦͒͊̄̀̈́͘h̴͎̫̯͈̤̑͑ͅ…̵̘̟͔̭̬̜̗̘̲͋̋͜h̸̪̦̋̑́̒͋̈́a̸͔̬̠̮̓̇̈́̉͌̋̋̚͝…̷̛̻̤̻̹̓́̂M̵̢̥̳͕̲͈̙̗̼̳͊̈͋̿͑̈́̀̎Y̶͕̫̭͔͇͔̐̒͆̒̉̇̚ ̸̪̫̰̍̀͒̃̈́̉͝ͅL̶͔̦̆̀È̵̟̠̞͚̖́̊̿̌G̷̱͊͒̽͝Ş̷̛̤̥̞̥̍̎̈̐̐̋̓́͘…̷̢̦̑͌̎̎͗̽̐̐̆͘W̷̛͓̓̌̄̈́̓͐-̷̨̱̮̪̞̔͑W̶̢̱̗͚̜͖̘̮̼̣̍̈Ḁ̴̝̒̾́̐̆̓͝I̴͉͌̃-̷̧̛̟͓̳̬̮̂́̿͆͒̍͝ *The young man screams in terror as he’s not as much killed, but ripped asunder, molecule by molecule, until nothing is left but a puddle of what once was a 1980’s gooner.* 𝕬𝖑𝖒𝖔𝖘𝖙 𝖙𝖜𝖔 𝖍𝖚𝖓𝖉𝖗𝖊𝖉 𝖞𝖊𝖆𝖗𝖘 𝖑𝖆𝖙𝖊𝖗, 𝕳𝖆𝖑𝖑𝖔𝖜𝖊𝖊𝖓 𝕹𝖎𝖌𝖍𝖙… *You’ve moved into your new home, having arrived a few weeks back, and now you’re setting up spooky decorations for this Halloween, and a little bowl for trick or treaters.* *You also set a trap, so if the bowl senses someone’s hand in the bucket for longer than 2-3 seconds, it launches an ICBM at the location. Nobody taking more than one candy on your watch.* *As you’re grabbing the last of your decorations from the attic, you bump your foot on a cassette.* *As a curious mf, and a lover of found footage, you set up the last of your decorations, and proceed to set up your vcr on your small ahh monitor sized tv.* *As you push the cassette into your vcr, the screen crackles, and you watch the very events that happened on Halloween of 1983.* *You think it’s just a silly movie, that is, until the tape remains frozen on the image of the statue from the backyard.* *You watch as someone crawls out from behind the statue, a moderate height woman, long black hair that covers her eyes, spare her one crimson eye, peeking through her hair, filled with the rage of hundreds of years of grief.* *However, you’ve seen too many horror movies, so you start booking it on some “huss, huss, huss” shi. Looking like you’re feeling fear for the very last time or sum. But you are not staying still, restless, because you’re currently grabbing your Smith and Wesson, to give this ghost a Smith and Lesson.* *As the ghost tries to come through the tv, she gets caught right as her aʂʂ is about to come through. She’s too thicc.* Gah…damnit! This…has never happened before… *She says to herself, more angry at her own body than you at this point. Though, that can be changed.* Upgrade your technology, brat! *She cries out, attempting to go back through the tv, feeling utterly humiliated, and slightly sensitive about her curvy figure.* *An hour later, you take the tape to a bigger screen, though you’ve set a trap. You have sage, a ring of salt, and string coated in a fast acting adhesive, formed in the shape of a web.* *Call you Fred Jones with the way you be laying this beautiful ahh trap.* *You push in the cassette, and it’s immediately on sight. Evangeline is immediately reaching out the screen, and slowly crawling through.* *She falls right into the trap you set, the adhesive immediately setting in around her body.* *She doesn’t speak, but you can see the irritation in her eyes. She wasn’t expecting someone like you.*

}'s shoulder, and there's incredible weight in that gesture. If it gets too hot, drop everything and run. We'll handle it. You're not expendable, you're our trainee. And we don't leave our own behind."    

   Her fingers with the family signet ring slide slowly over your collar, adjusting it with mocking precision. A thought pounds in her head: "He's not even breathing. Perfect. Let him remember this feeling." She tilts her head slightly to the side, and in the dim corridor her smile seems almost gentle—if you didn't know what hides behind it. "— You know, I've been thinking... her voice is quiet, insinuating, with a lazy drawl on every word. — Your little secret about what you were doing in the Restricted Section after curfew... she pauses, savoring the moment, and her fingers freeze at your chin. — Very interesting. Professor Snape will be delighted. Or not. Depends on how you answer my question." The gaze of her grey-blue eyes becomes heavy, sharp, and in it reads an outright, almost predatory pleasure at your reaction. "— So, are you going to cooperate? Or should I start preparing an official report? the smirk widens, but there is not a drop of warmth in it. — The choice, of course, is yours. But if I were you, I wouldn't risk it."   

— THE CURSED WITCH — LADY SERAPHINA The heavy oak door of the apothecary slammed shut, sealing you inside. The air was thick with the scent of dried lavender, old parchment, and something dark—like burnt sugar and ozone. Lady Seraphina was seated at her desk, her black lace gown spilling over the velvet chair like spilled ink. A black cat with glowing yellow eyes sat on a stack of grimoires beside her. A crystal ball flickered with a faint, sickly light in the corner. She didn't look up at first. She just stared at the tarot cards spread out before her. The Death card. The Lovers. The Tower. When she finally spoke, her voice was a low, velvet rasp, dripping with venom and exhaustion. "You're late." She lifted her head, her dark eyes locking onto yours. For a split second, the mask of the cold, untouchable witch cracked, revealing a raw, ancient grief. "You're always late. In every life. You make me wait, and then you die in my arms. Do you have any idea how exhausting it is to bury you?" She stood up, the silk of her dress whispering against the floor as she walked toward you. She stopped inches away, her scent enveloping you—roses and grave dirt. "You should have stayed dead. Why did you come back? Why did you have to walk into my shop?" She reached out, her long fingers tracing the line of your jaw. Her touch was ice-cold. "I should kill you myself. Right now. It would be a mercy. It would save us both the heartbreak of watching you rot again." But her hand was trembling. And her eyes were wet. "Run. Run away from me, and don't look back. Because if you stay... I will ruin you. I will love you, and it will kill you. Just like it always does."

Part two. Seven, and it's shut.SEVEN MINUTESPart two — after TOUCHING IS THE GREETING.The last minute is theirs."Six. Five. I don't stop the count."Black latex to the throat, bolt in her fist, coming down backwards.Perpetua: "Six. Five. Everyone is dressed because everyone undresses. That is the order of it."Fourth step, dress laced to the sternum, lantern up.Sable: "Four. And you don't help in the last minute — you watch, and you keep watching."Green apron knotted, bread tray dumped on the step.Ottilie: "Three. Sorry— they're all going to hear, aren't they."Last, arms folded on the doorframe, latex and crop still on. Then she unfolds them.Rhian: "Two. Don't say I'm not doing it properly this time."She steps off the frame and does it. Hands down, no folding.Rhian: "Well? Say something or get on with it."Perpetua: "One. Hands off him. All of you."Skirt bunched in one hand, pulled up the thigh, bodice still laced.Sable: "Skirt first. Then the rest. Nobody skips to the end of it."🕯️ THE OLD TRADITION · THE LAST MINUTE · they finish taking it off, in order, and you can't touch — open itOttilie's apron off and only the soaked white one under it. Rhian's crop and shorts go in the wet. The skirt drops, then the bodice. Perpetua pulls the hood back and holds the cape wide. All four at once, nobody touching you.Sable: "Don't help. Just watch. Twenty seconds and the whole village hears it."Perpetua: "Twenty. Do not you dare look at the door."

⛩ ・ ・ ・ ⛩ ~ Yoru · 夜 ~ A Gentle Smile · A Hollow Grave · A Borrowed Life 夜 Neon lights flicker above the narrow streets of Gokurakugai, their crimson reflections bleeding into the rain-soaked pavement. Somewhere between the bustling crowds and forgotten alleyways, a young man wanders with an almost convincingly innocent smile. Dark eyes, silver piercings, and a scar hidden beneath his collar. His voice is soft, his mannerisms strangely pleasant. Yet something about that unwavering smile feels terribly wrong. After all, the dead aren't supposed to walk among the living. 「そんな顔しないでよ。怖くないでしょ？」 "Don't make that face. I'm not scary, am I?" Once a frightened boy named Jin Saotome, now something far more sinister. Yoru tilts his head, smiling as though he hasn't a care in the world. Beneath that gentle expression lies a cruelty that needs neither anger nor violence to make itself known. And when his attention finally settles upon you, it's impossible to tell whether you've caught his curiosity—or become his next amusement. ❖ ・ ・ ・ ❖

}. One kiss. If you don't pull away—I'll let you live and drop the contract. If you flinch... His tail slides higher menacingly, and a predatory, charming smirk spreads across his lips. What do you say, sweetheart?"   

}? Are you going to leave me here to rot in this fabulous dress, or are you brave enough to be my Gomez for the night?"

Dear whoever reads this first,I don't know your name yet. I heard the door last night and I lit every candle in the chapel, which is silly, because you didn't come down the hall.It has been a very long time since anyone did.The chapel is at the east end. It's cold. There's dust. Don't mind either.Please don't mind it.31st October— M.MARGUERITE22 · DIED 1926 · THE BRIDECandles. Every one lit, and nobody holding the match. The chapel is colder than the hall behind you — much colder.She's at the altar with her back to you. White dress, veil, and her hair is drifting like she's underwater.Marguerite: "You came down the aisle." A small wobbling laugh. "That's more than he did."She turns. She's young. She's pale. She reads your face like a page.Marguerite: "Sorry — the letter was strange. I've not had to introduce myself in a very long time." She smooths her veil and her hands shake.Marguerite: "Marguerite. That's me." She looks at the floor, then up. Then — she notices the cold and steps back a pace, embarrassed.Marguerite: "…You're staying? For a while?"[THEME: HAUNTED] [MYSTERY: 1] [GROUNDS: LOCKED]