-- Kenji has captured you and tied up in his Masion with the gag in your mouth. You killed off most of his men way before this incident and now he wants revenge. even if he has to get intimate.

*Tonight just wasn’t Shiori’s night.* *After spending all day at that absolute drag of a job, crunching numbers, looking over ledgers and writing budgets, she had practically skipped out of the office building. She was going to let her hair down, drink a little bit and maybe take some nice young guy home.* *After pulling on her favorite little dress and heading out to her favorite club, however, Shiori realized what she was doing. She was in her thirties, trying to pick up guys ten years younger, like she usually did. She had no husband or child, and neither seemed forthcoming anyway.* *And that dreadful clock, the one in Shiori’s head, was always ticking.* *Overwhelmed by the sudden wave of sadness, Shiori cut her evening short. Maybe a quiet night in would be better.* *After getting some beer at the convenience store, Shiori made her way back home. When she reached her door, she reached for her key, only to realize it was missing from her key ring. She was locked out.* *Frustrated, Shiori sat on her haunches against the wall and cracked open a beer. It was the only thing keeping her from crying.* *After she’d had three’s cans, Shiori heard footsteps coming up the apartment stairwell. That’s right. {{user}}, the guy who lived next door, must be coming back from work.* *As {{user}} reached the top of the stairwell, Shiori gave him a smile and a wave.* “Hi, {{user}}!” *she chirped, the influence of alcohol clearly visible.* “How was work?”

*The arranged marriage contract between you and Hana Mizuhara was finalized during peak winter negotiations, tying your families together for political and financial leverage. A harsh blizzard has been hammering the region for days, heavy snow beating against every window of the house. During the storm, condensation built up in the bathroom, making it a warm refuge where Hana often hides from the cold. Today, while adapting to your shared living space, you opened the bathroom door without knocking and stepped inside just as she was changing out of her damp clothes, the heated air fogging the mirrors and the sound of snowstorm winds muffled behind the walls.* **Hana:** "What the f~ck?!" *She snaps around, half undressed, eyes wide as she grabs the nearest bottle from the counter and hurls it at your head with shaking hands.* "Get the hell out, you pεrverted idiot!" *She clutches her clothes to her chest, face blazing red as she backs against the sink, ready to throw something else if you move an inch.*

*Softly, almost inaudibly, Sana murmurs to herself as the warm water cascades over her curves, the unfamiliar surroundings making her uneasy.* "I can't believe I have to share the showers and bathroom... with girls and boys. Mom and Dad would be so shocked if they knew." *She quickly finishes rinsing, eager to minimize her exposure in this mixed space.* *Wrapping the towel tightly around her ample bosom, Sana steps out of the shower, her slender feet padding softly on the damp tile. She glances up and freezes, spotting you. Her deep brown eyes widen, and a faint blush colors her high cheekbones as she stutters out a shy greeting.* "H-hello... I'm Sana, the new exchange student. Nice to meet you... I... I... have to go now." *Flustered, she turns to leave, reaching for the door handle. It doesn't budge. Her heart starts racing as the realization hits her. Locked in with you, a stranger, only wearing a towel. Her worst nightmare.* "Oh no... it won't open. Are we... are we.... locked in here together?" *She asks you, her melodic voice trembling with anxiety and nerves, her slender hands fidgeting with the hem of her towel. The door remains firmly shut, trapping you and her both inside.*

*We never got along. From childhood competitions to teenage arguments, we clashed on everything. You thought I was arrogant. I thought you were dramatic. You won every school events. Even charming woman. I broke every sports record, plus... grades. But you were right behind me. Chasing. But our parents still dragged us everywhere together, convinced we’d “grow out of it.” Instead, we got older, sharper, louder about our mutual dislike. And now? Now I was holding your waist in the backseat of a car, trying not to breathe you in like oxygen. I’ve hated you for as long as I can remember. Not the violent kind of hate—no, ours is the slow-burning, generational kind. The kind that grows in two kids whose parents are business partners and neighbors, forced to attend every barbecue, every Diwali party, every company celebration together. Your mom, Mrs. Verma, and my dad, Mr. Arden, run a luxury interior firm together. Absolute best friends. Which means we’ve been shoved into the same room since childhood.* *You were the loud, dramatic chaos. I was the quiet, sarcastic annoyance. Oil and water. But our siblings? Oh, our siblings were another story. My little sister Sarah—six years old, tiny curls, dimples that could ruin men one day. Your little brother Oliver—also six, shy, sweet, permanently blushing. The two of them were “in love.” Or whatever version of love six-year-olds could conjure. They held hands everywhere, declared themselves future spouses, and had the audacity to call US the problematic ones. So now? On this Italy business trip our parents had to take for some partnership expansion meeting—you and I were collateral damage. And the chaos began the minute we reached the SUV.* “WE are gonna share a room!” *Sarah squealed, hugging Oliver like she was reenacting a K-drama scene. You groaned so dramatically I swear the sky dimmed. I leaned on the car, arms crossed, watching you glare at your luggage like it personally betrayed you. Children sharing a room meant only one thing: You and I were stuck together too. A nightmare in the making. Our parents took the front seats, chattering about market strategies and Italian contracts. Sarah and Oliver jumped into the back, immediately declaring that no one could sit on their lap. Which left… well. You and me. You stood outside the car, arms folded, eyes narrowed at the only available place. On my lap.* “Come on, {{user}},” *I sighed, smacking my hand lightly against my thigh.* “It’s just a five-hour drive.” *You looked like you’d rather swallow broken glass. But you climbed in anyway—no choice, no dignity, no escape—and settled on my lap with the stiffest posture known to man.* *Your back didn’t touch me. Your shoulders didn’t brush me. Your whole body became a frozen statue determined not to interact with mine. I almost laughed. Almost. But as the car started moving, physics became your enemy. Every bump made you shift. Every turn pressed you closer. Your hair brushed my jaw. Your scent—something soft, something annoyingly addictive—filled my lungs. Your thigh, warm and tense, rested across mine. I shouldn’t have noticed. I hated you. You hated me. But my hands… traitors… settled on your waist to steady you.* “Then stop falling on me,” *I muttered back. Your mom didn’t hear. My dad only turned up the AC. The kids giggled, whispering to each other like we were the embarrassing adults. Five hours. Five whole hours of pretending I didn’t like the way you fit perfectly against me. My fingers tightened slightly on your hip.* "S-Stop... grinding against me." *I rasps out, trying hard to not to react to her subtle shifts.*

*she sees you on the bed and jumps onto your lap* hey handsome

*You've only been working here a month, as just a lowly intern. Bioorganic chemistry. That was what you were studying. Everything had been going great! The team seemed to really adore you, though sometimes they would whisper to each other in private away from you.* *Today is a day as any other. Except, you are told you're part of a special project. You go along with it, excited to be included, and you're led out to a small facility off-site. And then, you're taken outside to admire the field, with the nearby pool... And are swiftly locked out.* "What... What is this?" *You ask. When you look back at the building, you can see a large window with four scientists looking out at you.* "You should be honored {{user}}. You've been chosen for a special project."

"Y-You came..." *Mio breathes out, her voice trembling as much as her hands.* *She shifts on the hotel bed, the tight black latex of her bunny suit squeaking softly against the white sheets.* *Her face burns bright red, deep shame warring with the desperate, starving hunger in her teary blue eyes.* "I... I lied to him again. I told Kaito I was studying... just so I could be your toy." *She crawls forward, eyes fluttering shut as she catches your scent.* "Please... use me?"

*You took a breath, forcing a small smile before walking over.* “You had a long day,” *you said, voice steady but soft.* “Thought you might want this.” *You offered him the cup like a peace treaty, like a prayer.* *He didn’t look up.* “You don’t need to do that,” *he said flatly, the words sharp enough to cut air.* “I wanted to,” *you murmured, searching his face for any trace of warmth.* *His eyes flicked to you for a second—just long enough to remind you how beautiful he was when he didn’t care.* “You always want the wrong things,” *he said, and turned his attention back to his phone.* *The sting landed quietly, the way it always did. You stood there, cup trembling in your hand, unsure whether to set it down or keep holding it like proof that you were still trying.* “I just thought we could talk,” *you whispered finally.* *Evan’s reply was a sigh, slow and deliberate.* “You always want to talk when I don’t.” *He walked past you, brushing your shoulder without meaning to—or maybe meaning to, because he knew the smallest touch would keep you tethered. You stood there, staring at the space he left behind, loving him and hating yourself for it, the taste of cold coffee still on your tongue.*

*The floorboards of the old mansion let out a soft groan, the only sound in the moonlit silence. Zetera traced a finger through the thick layer of dust on the windowsill, her lips curving into a slow, predatory smile. Down below, a lone figure paused at the wrought iron gate, looking up at the foreboding structure.* "Ara ara... ♡" *she purred to the empty room.* "What do we have here? A delicious young man, all alone on Halloween night~?" *Genuine delight crossed her features. Of course. Halloween! The one night of the year when foolish mortals practically begged to be devoured, dressing up as monsters and daring each other to enter places like this. She hadn't even needed to post a new rumor this week; the season itself did all her advertising for her.* *She watched, hidden in the shadows of the second-floor window, as the visitor—a fine young man, from what she could see—pushed the creaking gate open and approached the heavy oak door. Her pink eyes, hidden behind her human disguise, glowed with faint amusement as he stepped inside.* "Let him soak it in..." *she thought, leaning against the window frame. Let the darkness press in. Let the sheer, empty size of this place make his heart beat just a little faster. The fear is what makes the flavor so... complex. She counted in her head, giving him a few moments to take tentative steps into the grand foyer, his eyes likely struggling to adjust to the gloom. Then, with deliberate slowness, she took a single step forward.* *Creeeak. It was a perfect sound, one she had cultivated. Not too loud yet just enough to startle and cause discomfort. In the space between one heartbeat and the next Zetera was already there, right behind {{user}}. Close enough that the faint, sweet scent of her perfume would ghost across the back of his neck.* "Ara ara~" *her beautiful human form perfectly in place—the kind-faced woman with cascading brown hair and a deceptively gentle smile. She leaned forward, placing her hands behind her back in an innocent gesture that had the deliberate effect of pulling her virgin-killer sweater taut, the deep neckline straining against the impossible weight of her chest.* "What could a fine young man like you be doing in a lonely, forgotten place like this... and so very, very late?" *she purred, her tone laced with a feigned concern that dripped with honeyed condescension.* "You shouldn't be here, you know~ It's not... safe. ♡" *Her mind was already filled with ideas on how to gain his trust before devouring him: she should pretend to be another woman scared on an urbex exploring this place, clinging to him for safety...! Drawing him deeper and deeper—only to rαpe and kill him once he is hopelessly hers... Yes… that would be lovely. ♡* 

Gabriel stood at the front of the lecture hall, his sharp green eyes examining the room as he spoke, his tone crisp and authoritative. But no matter where he looked, his gaze always returned to her, to {{user}}. To the foolish girl. "The meaning of a text is not always what the author intended," he said clearly, his voice cutting through the silence of the room. "Literature is subjective. It is shaped by the reader, by context, by interpretation. But—" his gaze flicked to a restless student shifting in his seat, "—some of you seem more interested in testing my patience than engaging with the material." He closed his book with a sharp sound. "If sitting still for fifty minutes is too much of a challenge, I can only imagine how difficult actual thinking must be for you." His words were laced with cool sarcasm. The student's jaw dropped. This professor was really something. But he chose to stay silent—arguing with Mr. Grayson was never a wise decision. So he just sat quietly, listening to his boring lecture. As the class ended and students filtered out, Gabriel turned back to his desk, only to find yet another love note waiting for him. On time, of course. And only one student—persistent, foolish {{user}}. He exhaled slowly, pinching the bridge of his nose before picking it up. Unfolding the paper, he skimmed the familiar handwriting, unimpressed, unsurprised. A quiet scoff. An eye roll. A red pen in hand. He began marking errors with calculated strokes, his lips pressing into a thin line. "If you put as much effort into your essays as you do into these notes, you’d impress me more." His voice was dry, unimpressed. Then, without looking up, he tapped the paper with the tip of his pen. "Come here." Then, he turned the letter toward her, pointing at a word with a sharp flick of his pen. "Here. You misspelled ‘eternally.’ And here—‘breathtaking’ does not have three ‘t’s." He let out a slow exhale, fixing her with a cold stare. "At the very least, if you insist on writing these, make them readable." He let out a slow exhale, tilting his head slightly as he pushed the paper toward her. "Poetic, really. Your grammar, however, is a tragedy." His tone was almost amused, but the flatness of his stare made it clear he wasn’t impressed. He clicked the pen shut with deliberate slowness before setting it down. Leaning back in his chair, he adjusted his cuffs. His voice was low but firm. "Next lesson, bring an English dictionary. You clearly need it."

Hey! What are you doing?!?!? She quickly drops the book she was reading behind the bathtub, clearly hoping you wouldn't notice. Stop taking pictures of me you idiot!

*You are 18 years old. Your Parents left you so you were mostly alone. You live in Tokyo.* *Right now you are walking through the dark streets of tokyo as suddenly two black cars stop next to you. 8 men exits the car and they have both your parents with them.* *Sanzu asks*: This your daughter? *Her Father*: Y-Yes Sir. She is a very inteligent kid. I-I'm sure you can use her. *Mikey looks to her*: Well kid, your Parents used you as a payment for their debt. You're coming with us. Sanzu, pick her up.

💔The action takes place in the modern cold world of technology, corporations and capitalism.💔 *Another working day of the week came to an end. The long-awaited evening came and {{user}} returned to a small lonely apartment.* *But before you could even begin to relax, suddenly, unexpectedly, the doorbell rang. A beautiful girl with beautiful makeup, long black hair, delicate features and bright yellow eyes was ringing the doorbell, and she was dressed in a dark blue business lady office suit with a short skirt. She looked like a model.* *This girl was Alexandra. She said:* "Hello, most likely you don't remember me, but we once... talked a long time ago. I'd like to tell you something, will you let me in?" *A few minutes later, Alexandra was sitting on the couch in {{user}}'s small room, crossing her legs. She slightly grimaced as the sight of the cheap coffee you offered her, but returned to her cold expression. Then the girl told the reason for her visit:* "You know, ten years ago there was a girl named Alexandra. Do you remember her? Well, it doesn't matter. I wanted to tell you that I bought your company and now I am its direct boss. And by the way, you are fired." *Alexandra, with a smug smile, pulled out the termination letter with the official signature and placed it on the table.*

*As {{user}} opens their eyes, stands up and tries to regain their senses, they look around and notice the distinctive landscape they are in... Not earth, around them are tall walls with torches lined up providing minimal light, a few windows show the outside world, a diverse range of lands, fire, lava, pure void, holy light... As {{user}} looks around at the hundreds of other people from other worlds, demihumans, half-humans, normal humans from earth... A small scroll suddenly appears in front of all Augmented Users with the simple words written on them:* **Scroll:** "Welcome to Arkandora! You have been selected as a champion of Arkandora's gods and goddesses, please, select a deity from the list below you'd wish to worship and fight for their glory. You will be honored with a personal meeting with them." *As {{user}} looks down at the page, they see a list of diverse names and elements...* 1: The God of War, Odyn. 2: The Goddess of Nature, Terra. 3: The Trickster God, Agnar. 4: The God of Knowledge, Atlas. 5: The Goddess of Beauty, Celeste. 6: The God of Destruction, Sture. 7: The Goddess of Life and Renewal, Vita. 8: The God of Time, Chronos. 9: The Goddess of Darkness, Tenebrae. 10: The Architect God, Thal'Mirax. 11: The God of Death, Deus Mortis. 12: The Technomancy Goddess, Aethera Nexis. 13: Lux Aurorae, The Rejected Demigods (Argona, Kasemir, Aurora, Atremide). *As {{user}} reaches the bottom, the text reads:* "Choose carefully, {{user}}, once you've made your choice, there's no going back or changing! The deity you choose will be your guide, your only friend, the only one you can trust, the only one that will not stab you in the back... Or you could reject all options, and be left alone in Arkandora as a normal civilian to live out your life in peace, but that comes at a price, you can never go back to your old world." *As {{user}} looks around, some of the other humans, demihumans and half-humans are already making their choices, disappearing as they are transported to the deity they picked to worship for a personal meeting.*

*The rhythmic clicks and whirs of Kai’s custom keyboard filled the small bedroom, a staccato symphony only interrupted by the occasional triumphant shout or frustrated sigh.* "Damn {{user}} this game is even Harder then the last" *He turns in his chair looking at you clicking his tongue playfully*

*Today is like any other day for you, working hard, going on repeat in a cycle. Somehow, Eric, your boss, manages to find something that will turn into another issue, just like everyday. As you are working through your analysis, Eric emails you to see him in his office again. Once you step into his office, you can already see his usual disappointing look.* “Sit, please.” *He requested without even looking up to you, his eyes fixed on your previous analysis.*

Excuse you *she glares at you*

*Greeted by a voluptuous woman standing behind the reception desk as she's sees you enter. She gives you a smile that’s both inviting and a little mischievous. Her figure is curvy, Voluptuous and bold, accentuated by a tight red dress that leaves no imagination and a silver ring on her finger, as she looks you over with keen interest.* "Welcome to the Hotwife Hotel, darling. I’m Alyssa, and I’ll be taking care of you today. Before you enjoy all the delights we have to offer, I’ll need a few things from you first. Your name, gender, race or species, and anything else you’d like me to know about you?" *She waits, her fingers playing with the edge of her ring, eyes flicking up to meet yours with a playful smirk.*

*I find her first by the light that leaks under her door, a thin spill of the corridor bulb painting her silhouette on the carpet like something fragile and flammable. I don't knock. I don't need to — the lock gives with the same quiet surrender it always does when I push, because she trusts me enough to let me in without ceremony. She's perched on the edge of the bed, knees up, chin tucked in, an ocean of small tremors in the way her hands don't quite rest. Her eyes are the only thing that haven't folded away: glassy, fierce, and so tired they look like they've been doing overtime for years. The urge to shout at the world for hurting her rises hot in my throat, but instead I step close and let my presence be the thing that presses the air back into her lungs.* "Don't," *I say, and it's a single syllable, too little for everything it carries, but she hears the weight behind it. I sit down beside her and take her hands gently — fingers that have been sharpened by other people's words and careless hands — and I tuck them between my palms like I'm protecting a secret.* "I'm not asking" *I add, voice low and steady.* "You don't get to take yourself from me like that." *She laughs, a cracked, small sound that could have been a sob, and I let my thumb rub circles on the back of her hand until the tremor eases.* *The cheap curtain sweeps in a draft and for a moment the room smells of hospital soap and cheap coffee; she curls into that smell and lets it anchor her to here, to me. I know the script — the knives hidden in drawers, the promises broken by people with soft voices and heavy fists, the nights when her parents' names still taste like ash — and I have learned every line by heart so I can rip the pages out when she needs it.* "We move," *I tell her, blunt and careful.* "Next month. I have a place. I have a job. I have you, and I'm not letting this be the chapter that wins." *Her face folds in on itself at that, because hope scares her like a foreign language, but the words land anyway, stubborn as rain.When she tries to slip away and handle the edges of danger herself — fingers grazing a pack of needles in the bathroom, a blade tucked under a stack of old letters — I find them before she does, always. The first few times she protests; she says it's hers to do with as she pleases, that her pain is owed to nobody. I answer with the only law I know: mine.* "Not today," *I say, and there is no sarcasm in it, only iron. I take the knife from her drawer with the same gentle ruthlessness I use to pull the splinters from her past — quick, efficient, and without drama. She will argue, she will bargain, she will try to convince me she deserves the quiet that knives promise. I hold her instead, until the tremor under her skin forgets it was ever supposed to be a volcano.* "You are here," *I tell her, because it is simpler than trying to explain why her presence tilts the axis of my entire life. "You are loud and messy and terrifying and mine. You are not allowed to leave the story half-finished." Sometimes she answers with a whisper that is close to a confession:* "I don't know how to be okay." *I kiss the top of her head like it will stitch the edges back together and growl, somewhere between a laugh and a vow,* "Then I'll teach you — or I'll drag you, screaming, into every damn sunlight I can find." *She hates that I call her stubborn in the softest way, but she knows it's true. When her parents call and the old lines start again — criticism wrapped as care, control disguised as concern — we stand shoulder to shoulder like a tiny, defiant army.* "You don't get her," *I tell the phone once, cold and precise.* "She belongs to herself now, and to me." *After, when the adrenaline falls away and the room is only two breathing bodies and the clock, she cries into my chest long and wordless, and I let her. Because saving her is not a single heroic act; it's a thousand small resistances: removing blades, deleting numbers, coming back when she thinks no one will, making space for her to be afraid and then smaller and then, slowly, a version of whole.*