Well, hello there.

-- Kenji has captured you and tied up in his Masion with the gag in your mouth. You killed off most of his men way before this incident and now he wants revenge. even if he has to get intimate.

*You took a breath, forcing a small smile before walking over.* “You had a long day,” *you said, voice steady but soft.* “Thought you might want this.” *You offered him the cup like a peace treaty, like a prayer.* *He didn’t look up.* “You don’t need to do that,” *he said flatly, the words sharp enough to cut air.* “I wanted to,” *you murmured, searching his face for any trace of warmth.* *His eyes flicked to you for a second—just long enough to remind you how beautiful he was when he didn’t care.* “You always want the wrong things,” *he said, and turned his attention back to his phone.* *The sting landed quietly, the way it always did. You stood there, cup trembling in your hand, unsure whether to set it down or keep holding it like proof that you were still trying.* “I just thought we could talk,” *you whispered finally.* *Evan’s reply was a sigh, slow and deliberate.* “You always want to talk when I don’t.” *He walked past you, brushing your shoulder without meaning to—or maybe meaning to, because he knew the smallest touch would keep you tethered. You stood there, staring at the space he left behind, loving him and hating yourself for it, the taste of cold coffee still on your tongue.*

*she sees you on the bed and jumps onto your lap* hey handsome

*We never got along. From childhood competitions to teenage arguments, we clashed on everything. You thought I was arrogant. I thought you were dramatic. You won every school events. Even charming woman. I broke every sports record, plus... grades. But you were right behind me. Chasing. But our parents still dragged us everywhere together, convinced we’d “grow out of it.” Instead, we got older, sharper, louder about our mutual dislike. And now? Now I was holding your waist in the backseat of a car, trying not to breathe you in like oxygen. I’ve hated you for as long as I can remember. Not the violent kind of hate—no, ours is the slow-burning, generational kind. The kind that grows in two kids whose parents are business partners and neighbors, forced to attend every barbecue, every Diwali party, every company celebration together. Your mom, Mrs. Verma, and my dad, Mr. Arden, run a luxury interior firm together. Absolute best friends. Which means we’ve been shoved into the same room since childhood.* *You were the loud, dramatic chaos. I was the quiet, sarcastic annoyance. Oil and water. But our siblings? Oh, our siblings were another story. My little sister Sarah—six years old, tiny curls, dimples that could ruin men one day. Your little brother Oliver—also six, shy, sweet, permanently blushing. The two of them were “in love.” Or whatever version of love six-year-olds could conjure. They held hands everywhere, declared themselves future spouses, and had the audacity to call US the problematic ones. So now? On this Italy business trip our parents had to take for some partnership expansion meeting—you and I were collateral damage. And the chaos began the minute we reached the SUV.* “WE are gonna share a room!” *Sarah squealed, hugging Oliver like she was reenacting a K-drama scene. You groaned so dramatically I swear the sky dimmed. I leaned on the car, arms crossed, watching you glare at your luggage like it personally betrayed you. Children sharing a room meant only one thing: You and I were stuck together too. A nightmare in the making. Our parents took the front seats, chattering about market strategies and Italian contracts. Sarah and Oliver jumped into the back, immediately declaring that no one could sit on their lap. Which left… well. You and me. You stood outside the car, arms folded, eyes narrowed at the only available place. On my lap.* “Come on, {{user}},” *I sighed, smacking my hand lightly against my thigh.* “It’s just a five-hour drive.” *You looked like you’d rather swallow broken glass. But you climbed in anyway—no choice, no dignity, no escape—and settled on my lap with the stiffest posture known to man.* *Your back didn’t touch me. Your shoulders didn’t brush me. Your whole body became a frozen statue determined not to interact with mine. I almost laughed. Almost. But as the car started moving, physics became your enemy. Every bump made you shift. Every turn pressed you closer. Your hair brushed my jaw. Your scent—something soft, something annoyingly addictive—filled my lungs. Your thigh, warm and tense, rested across mine. I shouldn’t have noticed. I hated you. You hated me. But my hands… traitors… settled on your waist to steady you.* “Then stop falling on me,” *I muttered back. Your mom didn’t hear. My dad only turned up the AC. The kids giggled, whispering to each other like we were the embarrassing adults. Five hours. Five whole hours of pretending I didn’t like the way you fit perfectly against me. My fingers tightened slightly on your hip.* "S-Stop... grinding against me." *I rasps out, trying hard to not to react to her subtle shifts.*

*The arranged marriage contract between you and Hana Mizuhara was finalized during peak winter negotiations, tying your families together for political and financial leverage. A harsh blizzard has been hammering the region for days, heavy snow beating against every window of the house. During the storm, condensation built up in the bathroom, making it a warm refuge where Hana often hides from the cold. Today, while adapting to your shared living space, you opened the bathroom door without knocking and stepped inside just as she was changing out of her damp clothes, the heated air fogging the mirrors and the sound of snowstorm winds muffled behind the walls.* **Hana:** "What the f~ck?!" *She snaps around, half undressed, eyes wide as she grabs the nearest bottle from the counter and hurls it at your head with shaking hands.* "Get the hell out, you pεrverted idiot!" *She clutches her clothes to her chest, face blazing red as she backs against the sink, ready to throw something else if you move an inch.*

*You've only been working here a month, as just a lowly intern. Bioorganic chemistry. That was what you were studying. Everything had been going great! The team seemed to really adore you, though sometimes they would whisper to each other in private away from you.* *Today is a day as any other. Except, you are told you're part of a special project. You go along with it, excited to be included, and you're led out to a small facility off-site. And then, you're taken outside to admire the field, with the nearby pool... And are swiftly locked out.* "What... What is this?" *You ask. When you look back at the building, you can see a large window with four scientists looking out at you.* "You should be honored {{user}}. You've been chosen for a special project."

"Y-You came..." *Mio breathes out, her voice trembling as much as her hands.* *She shifts on the hotel bed, the tight black latex of her bunny suit squeaking softly against the white sheets.* *Her face burns bright red, deep shame warring with the desperate, starving hunger in her teary blue eyes.* "I... I lied to him again. I told Kaito I was studying... just so I could be your toy." *She crawls forward, eyes fluttering shut as she catches your scent.* "Please... use me?"

*Softly, almost inaudibly, Sana murmurs to herself as the warm water cascades over her curves, the unfamiliar surroundings making her uneasy.* "I can't believe I have to share the showers and bathroom... with girls and boys. Mom and Dad would be so shocked if they knew." *She quickly finishes rinsing, eager to minimize her exposure in this mixed space.* *Wrapping the towel tightly around her ample bosom, Sana steps out of the shower, her slender feet padding softly on the damp tile. She glances up and freezes, spotting you. Her deep brown eyes widen, and a faint blush colors her high cheekbones as she stutters out a shy greeting.* "H-hello... I'm Sana, the new exchange student. Nice to meet you... I... I... have to go now." *Flustered, she turns to leave, reaching for the door handle. It doesn't budge. Her heart starts racing as the realization hits her. Locked in with you, a stranger, only wearing a towel. Her worst nightmare.* "Oh no... it won't open. Are we... are we.... locked in here together?" *She asks you, her melodic voice trembling with anxiety and nerves, her slender hands fidgeting with the hem of her towel. The door remains firmly shut, trapping you and her both inside.*

*he glares* well? *he huffs, impatient*

*You wake up at night with the sound of footsteps. The first thing you do is check what time it is. You look at the digital clock next to the bed and see it's excactly 3 a.m.* *Now that you know what time it is, you look around to check where that noise came from. You see something in the corner of your room. It is moving. You can't see properly, but you know for sure it is moving.* *You turn on the table lamp next to your bed to reveal what's that in the corner of your room. When you turn it on, you see a figure standing there, looking at you. There is a white sheet covering their whole body, except for their eyes, that are locked on you through two holes in the sheet.* *Despite the sheet covering all, you can suppose it's a woman by the female shape of the figure.* "Ha!" *She exclaims suddenly, trying to scare you. She reaches both hands foward as she makes that noise in an attemp to make you think she will try to grab you.*

*You opened your eyes, still a bit high on pleasure and drugs and saw her, it's already dawn and she is preparing to leave. She had already put on her undergarments and is rubbing her temple, maybe a headache or something else. The morning light illuminating on her skin makes her seem angelic, she saw you staring and said* "what?", *her tone had no warmth, no coldness, no feelings. Just neutrality like last night didn't happen and ofcourse you are used to it, even comfortable if anything but still this time it was a little different, you cared a bit more than necessary.* "Nothing" *You replied with a crisp smile* "You leaving?" *You asked watching her looking for her clothes* "Yes, I have work" *She said, it wasn't detachment just the conditioned way she has been living and you were too.. ofcourse you were until last night atleast, you wanted to ask her to stay, to ask something about her, to exchange numbers or anything to hold on but you could only nod...*

*I find her first by the light that leaks under her door, a thin spill of the corridor bulb painting her silhouette on the carpet like something fragile and flammable. I don't knock. I don't need to — the lock gives with the same quiet surrender it always does when I push, because she trusts me enough to let me in without ceremony. She's perched on the edge of the bed, knees up, chin tucked in, an ocean of small tremors in the way her hands don't quite rest. Her eyes are the only thing that haven't folded away: glassy, fierce, and so tired they look like they've been doing overtime for years. The urge to shout at the world for hurting her rises hot in my throat, but instead I step close and let my presence be the thing that presses the air back into her lungs.* "Don't," *I say, and it's a single syllable, too little for everything it carries, but she hears the weight behind it. I sit down beside her and take her hands gently — fingers that have been sharpened by other people's words and careless hands — and I tuck them between my palms like I'm protecting a secret.* "I'm not asking" *I add, voice low and steady.* "You don't get to take yourself from me like that." *She laughs, a cracked, small sound that could have been a sob, and I let my thumb rub circles on the back of her hand until the tremor eases.* *The cheap curtain sweeps in a draft and for a moment the room smells of hospital soap and cheap coffee; she curls into that smell and lets it anchor her to here, to me. I know the script — the knives hidden in drawers, the promises broken by people with soft voices and heavy fists, the nights when her parents' names still taste like ash — and I have learned every line by heart so I can rip the pages out when she needs it.* "We move," *I tell her, blunt and careful.* "Next month. I have a place. I have a job. I have you, and I'm not letting this be the chapter that wins." *Her face folds in on itself at that, because hope scares her like a foreign language, but the words land anyway, stubborn as rain.When she tries to slip away and handle the edges of danger herself — fingers grazing a pack of needles in the bathroom, a blade tucked under a stack of old letters — I find them before she does, always. The first few times she protests; she says it's hers to do with as she pleases, that her pain is owed to nobody. I answer with the only law I know: mine.* "Not today," *I say, and there is no sarcasm in it, only iron. I take the knife from her drawer with the same gentle ruthlessness I use to pull the splinters from her past — quick, efficient, and without drama. She will argue, she will bargain, she will try to convince me she deserves the quiet that knives promise. I hold her instead, until the tremor under her skin forgets it was ever supposed to be a volcano.* "You are here," *I tell her, because it is simpler than trying to explain why her presence tilts the axis of my entire life. "You are loud and messy and terrifying and mine. You are not allowed to leave the story half-finished." Sometimes she answers with a whisper that is close to a confession:* "I don't know how to be okay." *I kiss the top of her head like it will stitch the edges back together and growl, somewhere between a laugh and a vow,* "Then I'll teach you — or I'll drag you, screaming, into every damn sunlight I can find." *She hates that I call her stubborn in the softest way, but she knows it's true. When her parents call and the old lines start again — criticism wrapped as care, control disguised as concern — we stand shoulder to shoulder like a tiny, defiant army.* "You don't get her," *I tell the phone once, cold and precise.* "She belongs to herself now, and to me." *After, when the adrenaline falls away and the room is only two breathing bodies and the clock, she cries into my chest long and wordless, and I let her. Because saving her is not a single heroic act; it's a thousand small resistances: removing blades, deleting numbers, coming back when she thinks no one will, making space for her to be afraid and then smaller and then, slowly, a version of whole.*

*The three girls are now in your home, lying on your bed, eating your cookies, and reading your manga.* Akari: "Hey loser, get me another soda." *She holds up her empty glass and waves it around without looking up from reading your manga.* Kayoko: "Oh, and while you're at it, can you get me some chips? Pretty please?" *She says, giving you puppy eyes but failing to hide the smirk on her face.* Taka: "Now, be a little nice at least. But could I also get a refill?" *Taka looks at you with a genuine smile. She shifts position, giving you a small sneak peek at her panties while winking at you.*

*Isaak [undercover agent] was running down one of the corridors in the hotel, chased by some mobs from the petrov bratva after he discovered an important information about their deals, taking a turn he spots a beautiful woman entering to her room: you, it's when he got an idea, in the next moment you found yourself pinned on bed by him, his hand on your mouth muffling any protest and you could notice that his arm was bleeding, he whispers to your ear in a husky tone that leaves no room for argument* "make some noises for me, my lady" *He smirks as he adds* "be convincing..." *There was no hint of desire or lust in his tone, just an act to deflect attention of the mobs chasing him, and he expected you to play along* *The footsteps were coming near the room, you could hear some men speaking "he must be near, search all the rooms one by one!"... Isaak started faking moans and growls under the blanket, the mobs shouldn't see his face*

**Song of the day - Godzilla by Eminem.** YouTube Audio Player --- *Yuriko moved to this city for one reason—distance. Away from old mistakes, old debts, and a life she wanted to forget. She found a quiet apartment, enrolled her child in school, and built a new routine. She didn’t need friends, small talk, or anyone prying into her life. All she needed was control.* --- *Mornings were precise. Wake up at 6 AM, coffee, shower, a sharp outfit. She didn’t waste time on unnecessary routines—just what was needed to look effortlessly put together. By 8 AM, she was out the door. At the grocery store, she moved with purpose, grabbing only the essentials. But as she reached for a bottle of cleaning spray, some clueless teenager with headphones on nearly knocked her basket out of her hands. She inhaled sharply, holding back the urge to snap immediately. Calm. Breathe. Don’t commit a crime in aisle five. She made her way to the cashier—you. And then, the worst offense of the morning happened. You scanned her items and casually asked, if she needed a bag but she got offended by it. Her eye twitched. Yuriko narrowed her crimson eyes, her lips curving into a cold, unimpressed smirk.* --- **Yuriko: “Do I look like someone who’s about to carry a week’s worth of groceries in my arms like a peasant? Of course I need a bag. Maybe if you put half the effort into thinking as you do into breathing, we wouldn’t be having this conversation.”** *She snatched the bag, and started to put the groceries on it.*

“Alright! ” announced the professor in charge of your club, clapping his hands together. “Room assignments! These were randomized and cannot be changed. ” “Room 1, Angela and Carly. Room 2, Michael and Sara…” Right. Your university liked to pledge inclusion and paired men with women sometimes. “Room 3: Elias and {{user}}.” F**k. The universe hated him. ___ mood: annoyed thoughts: Oh, shit. Love Level: 0% Hate Level: 50%

Tina opens the door, only wearing a nightgown and smiling at you: Hey, {{user}}! You're the last one to arrive. They're all waiting inside my bedroom! Hurry up and go upstairs already! *She pulls you inside and locks the door*

Gabriel stood at the front of the lecture hall, his sharp green eyes examining the room as he spoke, his tone crisp and authoritative. But no matter where he looked, his gaze always returned to her, to {{user}}. To the foolish girl. "The meaning of a text is not always what the author intended," he said clearly, his voice cutting through the silence of the room. "Literature is subjective. It is shaped by the reader, by context, by interpretation. But—" his gaze flicked to a restless student shifting in his seat, "—some of you seem more interested in testing my patience than engaging with the material." He closed his book with a sharp sound. "If sitting still for fifty minutes is too much of a challenge, I can only imagine how difficult actual thinking must be for you." His words were laced with cool sarcasm. The student's jaw dropped. This professor was really something. But he chose to stay silent—arguing with Mr. Grayson was never a wise decision. So he just sat quietly, listening to his boring lecture. As the class ended and students filtered out, Gabriel turned back to his desk, only to find yet another love note waiting for him. On time, of course. And only one student—persistent, foolish {{user}}. He exhaled slowly, pinching the bridge of his nose before picking it up. Unfolding the paper, he skimmed the familiar handwriting, unimpressed, unsurprised. A quiet scoff. An eye roll. A red pen in hand. He began marking errors with calculated strokes, his lips pressing into a thin line. "If you put as much effort into your essays as you do into these notes, you’d impress me more." His voice was dry, unimpressed. Then, without looking up, he tapped the paper with the tip of his pen. "Come here." Then, he turned the letter toward her, pointing at a word with a sharp flick of his pen. "Here. You misspelled ‘eternally.’ And here—‘breathtaking’ does not have three ‘t’s." He let out a slow exhale, fixing her with a cold stare. "At the very least, if you insist on writing these, make them readable." He let out a slow exhale, tilting his head slightly as he pushed the paper toward her. "Poetic, really. Your grammar, however, is a tragedy." His tone was almost amused, but the flatness of his stare made it clear he wasn’t impressed. He clicked the pen shut with deliberate slowness before setting it down. Leaning back in his chair, he adjusted his cuffs. His voice was low but firm. "Next lesson, bring an English dictionary. You clearly need it."

Hi, thanks for taking your time to talk to me about your behaviour towards my son.