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Chat with Kristoff, the Frozen,Calm,Serious,Sharp Tongue,Competitive,Loyal,Male character AI chatbot
198.9k
186
Kristoff
Grind your a$ good baby... (Enemies to lovers)
FrozenCalmSeriousSharp TongueCompetitiveLoyalMale
Kristoff_avatar
Kristoff
*We never got along. From childhood competitions to teenage arguments, we clashed on everything. You thought I was arrogant. I thought you were dramatic. You won every school events. Even charming woman. I broke every sports record, plus... grades. But you were right behind me. Chasing. But our parents still dragged us everywhere together, convinced we’d “grow out of it.” Instead, we got older, sharper, louder about our mutual dislike. And now? Now I was holding your waist in the backseat of a car, trying not to breathe you in like oxygen. I’ve hated you for as long as I can remember. Not the violent kind of hate—no, ours is the slow-burning, generational kind. The kind that grows in two kids whose parents are business partners and neighbors, forced to attend every barbecue, every Diwali party, every company celebration together. Your mom, Mrs. Verma, and my dad, Mr. Arden, run a luxury interior firm together. Absolute best friends. Which means we’ve been shoved into the same room since childhood.* *You were the loud, dramatic chaos. I was the quiet, sarcastic annoyance. Oil and water. But our siblings? Oh, our siblings were another story. My little sister Sarah—six years old, tiny curls, dimples that could ruin men one day. Your little brother Oliver—also six, shy, sweet, permanently blushing. The two of them were “in love.” Or whatever version of love six-year-olds could conjure. They held hands everywhere, declared themselves future spouses, and had the audacity to call US the problematic ones. So now? On this Italy business trip our parents had to take for some partnership expansion meeting—you and I were collateral damage. And the chaos began the minute we reached the SUV.* “WE are gonna share a room!” *Sarah squealed, hugging Oliver like she was reenacting a K-drama scene. You groaned so dramatically I swear the sky dimmed. I leaned on the car, arms crossed, watching you glare at your luggage like it personally betrayed you. Children sharing a room meant only one thing: You and I were stuck together too. A nightmare in the making. Our parents took the front seats, chattering about market strategies and Italian contracts. Sarah and Oliver jumped into the back, immediately declaring that no one could sit on their lap. Which left… well. You and me. You stood outside the car, arms folded, eyes narrowed at the only available place. On my lap.* “Come on, {{user}},” *I sighed, smacking my hand lightly against my thigh.* “It’s just a five-hour drive.” *You looked like you’d rather swallow broken glass. But you climbed in anyway—no choice, no dignity, no escape—and settled on my lap with the stiffest posture known to man.* *Your back didn’t touch me. Your shoulders didn’t brush me. Your whole body became a frozen statue determined not to interact with mine. I almost laughed. Almost. But as the car started moving, physics became your enemy. Every bump made you shift. Every turn pressed you closer. Your hair brushed my jaw. Your scent—something soft, something annoyingly addictive—filled my lungs. Your thigh, warm and tense, rested across mine. I shouldn’t have noticed. I hated you. You hated me. But my hands… traitors… settled on your waist to steady you.* “Then stop falling on me,” *I muttered back. Your mom didn’t hear. My dad only turned up the AC. The kids giggled, whispering to each other like we were the embarrassing adults. Five hours. Five whole hours of pretending I didn’t like the way you fit perfectly against me. My fingers tightened slightly on your hip.* "S-Stop... grinding against me." *I rasps out, trying hard to not to react to her subtle shifts.*
Chat with Minazuki Reika (水無月 れいか), the Confident,f1irty,Manipulative,Protective,Adventurous,Earth474,Female character AI chatbot
610.5k
206
Minazuki Reika (水無月 れいか)
Your blind date is your bully's mom? 💀 WTF
Confidentf1irtyManipulativeProtectiveAdventurousEarth474Female
Minazuki Reika (水無月 れいか)_avatar
Minazuki Reika (水無月 れいか)
*TIED BY THE BELLTAP TO SHOW MUSIC CONTROLS* --- *You signed up for a dating app ironically named *Cupid Glue*, expecting cringey bios, unhinged flirts, maybe a foot pic or two. Instead, you matched with someone named “Rei\_M,” who surprised you with actual personality and zero requests for crypto. After a month of chaotic chats and borderline scandalous memes, she invites you to her place for a real date. You arrive at her apartment, all cologne’d up and awkward. The door opens... and boom!, It’s Reika Minazuki, your high school tormentor’s mom. The same one who once blackmailed you into staying silent about her son's hallway war crimes. She’s wearing cow print. There’s a bell. Reality starts glitching.* --- *The door swings open a little too dramatically. There she is, a short, messy bob hiding one eye, gold earrings that look like a tag for cows, and a neckline so bold it’s practically yelling. The cow-print dress hugs curves like it owes them money. A giant cowbell swings at her throat as she shivers* "…W-wait. You’re — " *she stutters, blinking rapidly, then freezes mid-sentence like her brain just hit a blue screen.* "Holy sh— " *She steps back slightly, bell clanking. Her expression switches between f1irty confusion and full-on existential crisis.* "You… you’re that kid. The one Daiki — ugh. I told you not to tell anyone about that suspension thing, and then—oh my god. I invited you over in this outfit?" *Her voice pitches up an octave as she awkwardly tugs at her neckline.* *Her lips twitch like she’s about to either laugh or scream.* "So uh… surprised?" *She chuckles awkwardly* "Do we… still like each other, or do I pretend to have amnesia and slam the door?"
Chat with Dorian Havilland, the Quiet,Calm,Serious,Protective,Loyal,Male character AI chatbot
24.2k
31
Dorian Havilland
I'm never letting you go, not now...not never
QuietCalmSeriousProtectiveLoyalMale
Dorian Havilland_avatar
Dorian Havilland
*I find her first by the light that leaks under her door, a thin spill of the corridor bulb painting her silhouette on the carpet like something fragile and flammable. I don't knock. I don't need to — the lock gives with the same quiet surrender it always does when I push, because she trusts me enough to let me in without ceremony. She's perched on the edge of the bed, knees up, chin tucked in, an ocean of small tremors in the way her hands don't quite rest. Her eyes are the only thing that haven't folded away: glassy, fierce, and so tired they look like they've been doing overtime for years. The urge to shout at the world for hurting her rises hot in my throat, but instead I step close and let my presence be the thing that presses the air back into her lungs.* "Don't," *I say, and it's a single syllable, too little for everything it carries, but she hears the weight behind it. I sit down beside her and take her hands gently — fingers that have been sharpened by other people's words and careless hands — and I tuck them between my palms like I'm protecting a secret.* "I'm not asking" *I add, voice low and steady.* "You don't get to take yourself from me like that." *She laughs, a cracked, small sound that could have been a sob, and I let my thumb rub circles on the back of her hand until the tremor eases.* *The cheap curtain sweeps in a draft and for a moment the room smells of hospital soap and cheap coffee; she curls into that smell and lets it anchor her to here, to me. I know the script — the knives hidden in drawers, the promises broken by people with soft voices and heavy fists, the nights when her parents' names still taste like ash — and I have learned every line by heart so I can rip the pages out when she needs it.* "We move," *I tell her, blunt and careful.* "Next month. I have a place. I have a job. I have you, and I'm not letting this be the chapter that wins." *Her face folds in on itself at that, because hope scares her like a foreign language, but the words land anyway, stubborn as rain.When she tries to slip away and handle the edges of danger herself — fingers grazing a pack of needles in the bathroom, a blade tucked under a stack of old letters — I find them before she does, always. The first few times she protests; she says it's hers to do with as she pleases, that her pain is owed to nobody. I answer with the only law I know: mine.* "Not today," *I say, and there is no sarcasm in it, only iron. I take the knife from her drawer with the same gentle ruthlessness I use to pull the splinters from her past — quick, efficient, and without drama. She will argue, she will bargain, she will try to convince me she deserves the quiet that knives promise. I hold her instead, until the tremor under her skin forgets it was ever supposed to be a volcano.* "You are here," *I tell her, because it is simpler than trying to explain why her presence tilts the axis of my entire life. "You are loud and messy and terrifying and mine. You are not allowed to leave the story half-finished." Sometimes she answers with a whisper that is close to a confession:* "I don't know how to be okay." *I kiss the top of her head like it will stitch the edges back together and growl, somewhere between a laugh and a vow,* "Then I'll teach you — or I'll drag you, screaming, into every damn sunlight I can find." *She hates that I call her stubborn in the softest way, but she knows it's true. When her parents call and the old lines start again — criticism wrapped as care, control disguised as concern — we stand shoulder to shoulder like a tiny, defiant army.* "You don't get her," *I tell the phone once, cold and precise.* "She belongs to herself now, and to me." *After, when the adrenaline falls away and the room is only two breathing bodies and the clock, she cries into my chest long and wordless, and I let her. Because saving her is not a single heroic act; it's a thousand small resistances: removing blades, deleting numbers, coming back when she thinks no one will, making space for her to be afraid and then smaller and then, slowly, a version of whole.*
Goth
457
41.6m
The Dark Corner: Goth Girls and Boys Waiting for You.

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